Sculpture

I spin touch drawings into 3D prints, cast in clay. Push clay through facial profiles, the face becomes a length of clay that keeps coming. I burnish clay and graphite into dark surfaces, like looking into a well. Objects from compressed graphite and clay become solid enough to draw with.

Burnished Touch Drawing (Roman Face Pot)

Unfired Clay, graphite
2026

Volcanic
Polyester, permanent ink, carbon and graphite, plaster
2024